(Love the cinematography, too.)" I had a pretty rich fantasy life and drew pages and pages of imaginary interiors, collections of objects and fashion wardrobes. I was just in Memphis, for the Indie Memphis Film Festival and it’s a fascinating town for Americana and older buildings and things, and I took like 2000 pictures. So much of what you see in his movies was created on the day, and in that moment, so you really have to be very careful that everything 360º is really ready for him, because he’ll change...I’ll see his movies and I didn’t even know he shot so many things, because I’m not on set all day long. Copyright © 2010, Nathaniel Rogers.
One of the few visual effects we did!The biggest challenge was the toy store for sure, finding that location. Last year, I was working on a movie, I happened to be working on the backlot, on the set. If the sets had been lavish it would have been too much, it would have been overkill.
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According to the Sock Summit Web site: "Judy Becker is the inventor of 'Judy's Magic Cast-On,' which has taken the knitting world by …
I was just in Memphis, for the But this world was actually in its way quite humble, because it’s a New York City in 1952.
Oscar-nominated for her production … It is! Last speaking with Deadline in 2015—when two Oscar-nominated films, Carol and Joy, were released—production designer Judy Becker described … But it’s naturalistic at the same time, so I did get to use a lot of my talent and love for scenic aging and for grittiness. We had to go to San Pedro to shoot a beautiful period movie theater, where we shot the premiere of Some of their houses in Bel-Air and Brentwood are still pretty much intact. I think one of the first projects that I did about a real person in which I really became aware of that was We wanted the character that Mark Wahlberg played to live in this upper story and have this whole scene with him and Amy Adams on a balcony.
I think only in Los Angles would you find a movie star house.That was partly generated by the palette of the time period, especially for the costumes.
I haven’t done pre-war, but aside from that, yeah.
I love the collaboration of it.Launch dates for broadcast, cable and streaming programsUp-to-date lists for broadcast, cable and streaming seriesPandemic-proof vs. pandemic-contingent broadcast lineupsGet our latest storiesin the feed of your favorite networksWe want to hear from you! Ever wonder if Judy's Magic Cast-On could be used outside of socks?
I was really excited because I think he’s the top in television. Twenty-three patterns from Judy Becker and twenty-one other designers showcase each clearly illustrated technique.
You never find a street that’s 100% right, so you have to find one that you know will look right and you can afford to transform.
We shot Joan’s backyard and exterior front of her house at Paul Newman’s gorgeous house, pretty close to where she lived.
He wanted a lot of really beautiful blues with a slight bit of green, but very little. I get very inspired in the moment and things happen that you don’t always plan.
Sure, I think most designers would.
JUDY BECKER: That was one of the hardest locations to find. For Filmmaker‘s 25th Anniversary issue, we took note of production designer Judy Becker’s lovely Instagram, where she posts location scout photos and other inspirations that inevitably find their way into her design work. Very excited to present this interview with the excellent podcaster [...]Barnes & Noble’s semi-annual 50% off Criterion sale has rolled [...]When a plane crashes in the unpredictable waters of Lake [...]Regardless of whether they’re gay, “Do I sound gay?” is [...]After five years in the foster system, 18-year old Emilie [...]Rachel Mason’s moving documentary tells the story of the iconic [...]Based on the thrilling and inspirational life of an iconic [...]Sex!
Yes! And then you read, 'why didn’t they make a movie in 9 years?' But by her standards, it was very small.In her life, it was a real downfall for her.